In the mid-1980s I went to a juried craft show
and saw original art jewelry. I knew that I had to
learn about the process that produced this
extraordinary work. In 1986, while working in
hospital administration, I took my first jewelry
class at Massachusetts College of Art and realized
that I had to become a jewelry maker. I had
discovered the perfect expressive outlet to create
the art that had always been a part of my
lifemaking jewelry in metal and stone that
could be worn and enjoyed.
For several years I continued to take jewelry
classes in the evenings, spending longer hours in
the studio as time went on. In 1989, my husband and
I moved to California for 18 months. I used this
opportunity to see if I could become a "real"
jeweler. I took classes at California College of
Arts and Crafts and set up a small studio in our
rented home. When we returned to Massachusetts in
June 1990, I became a full-time studio jeweler. I
have continued my education by participating in
workshops and classes and by connecting with other
artists from whom I can learn and with whom I can
share information.
I have learned how to trust my own instincts as
an artist. For me, this means creating
hand-fabricated one-of-a-kind pieces. Even designs
that I repeat are created individually and by hand.
Thus, each piece develops its own particular
characteristics. I hope that those who see and wear
my work can appreciate my hand in the work and that
this appreciation will enrich their experience of
wearing the jewelry.
My designs come from sketching, imagining or
realizationspicking up a piece of metal and
having it "speak" to mesuggesting how it
wants to be cut, shaped, filed, textured, formed,
joined to other metals or combined with stones. I
draw influence from the shapes and textures that I
see around me and by observing the constant
interaction of positive and negative space in the
world. I love to work with stones because I love
color. Stones, including gems and all kinds of
rocks, are amazing to me and I believe they deserve
to be displayed on the body. I am also drawn to
weathered pieces of wood and metal. Ancient scripts
and drawings communicate with me across time and
space and are expressed in each piece of jewelry as
it takes shape at my bench.
I make jewelry that is comfortable and
versatile. I want it to be worn and not relegated
to the jewelry box or saved only for special
occasions. I am lucky to have such a satisfying and
exciting calling and to be able to respond to it
successfully.